Thursday, July 17, 2014

Every Day After, by Laura Golden

It's the Depression, and Lizzie Hawkins's father has taught her to always be tough and never accept charity. The thing is, Lizzie's father wasn't so tough himself: After losing his job, he's taken off and abandoned his family. Her father's abandonment has in turn caused her mother's, only in a different form. Lizzie's mother is now completely catatonic.

Lizzie feeds the two of them by fishing and tending the vegetable garden. She puts her mom to bed at night and gets her up in the morning. She does the laundry (which procedure is described in detail) and fixes her mom cups of tea. She has always been a top student (another demand of her father's). But now her heavy responsibilities mean her grades are slipping, to the delight of her nemesis, a thoroughly mean girl named Erin Sawyer whose family has recently moved to Alabama from Georgia. Erin wants to be top dog above all else, and, among other unreasonable demands, continually harangues Lizzie to pull out of an essay contest they have both entered.

Lizzie is not completely likable, and that might be a stumbling block for some readers. Specifically, she is quite self-centered, and when her friend Ben confronts her about it, we root for him. But not only does the author keep many readers (judging by the love this book has gotten) rooting for Lizzie in spite of her rather blatant faults, but she manages, in first-person narration, to convey that Lizzie is a somewhat unreliable narrator. The characterization, setting, and writing itself are nicely done.

We keep hearing that the Depression era has been overdone in historical fiction, yet here it is again. I would probably read any number of Depression-era novels, and apparently I have lots of company. Minor quibbles: This is yet another mother/child role-reversal story, and I'm honestly full-up on those. Erin is allowed to be much brattier in front of adults than I believe a child of that era could have gotten away with. And I just didn't buy the name Erin. For an obviously Irish character that might have been okay, but Erin was a popular name in the 1970s and '80s, not in 1917, the approximate year of the MC's birth. But as I said, minor quibbles. This is highly recommended.

Thursday, July 10, 2014

How to Promote that Non-Debut Novel -- Guest Post by Anna Staniszewski


Today I'd like to welcome Anna Staniszewski to the blog. Her newest novel is THE PRANK LIST, released July 1 from Sourcebooks Jabberwocky. She's here to talk about a subject I'd personally love to hear more about: marketing a novel when it's not your first -- when you don't qualify to join debut groups or otherwise capitalize on "debut" buzz. What do we do when we have to gear up for promo again, but on a second or later novel? Anna has some great tips. 

Marketing a Non-Debut Novel 
by Anna Staniszewski

When people ask me for advice on promoting their debut books, I tell them to try anything they can think of. If something works, use it again! If something fails, you’ll know better next time. But what should you do when your second (or fifth) book comes out? If you’ve been taking notes on what worked or didn’t the first time around, you’ll have a better sense of where to start. Here are a few other things to consider.

--Have a launch party. Do you feel guilty making your friends and family come out for yet another book event? Don’t! Think of it this way: wouldn’t you want to come support your friend or family member’s newest accomplishment? If your publication dates are close together (like mine are) then it might be fine to forgo an official launch, but make sure to have some event to help celebrate the book’s arrival. (I’m hosting a cupcake-decorating party at a local bookstore, for example.)

--Reach out to your community. Hopefully you’ve been keeping track of enthusiastic booksellers, supportive bloggers, etc. to contact again about your newest book baby. If people were excited about your first book, they’ll want to hear about your new one. Make sure to help promote them in return. Not only is this good etiquette, but it helps forge relationships for the future.

--Find your book’s implied audience. Is your title particularly good for mother/daughter book clubs, for example? Great! Put together a discussion guide and reach out to local libraries to see if they might be interested in using it. Is your book about a robotics competition? Awesome! Maybe there’s a local club you could team up with. Remember that every book--even if it’s part of a series--comes with its own marketing opportunities.

--Don’t be afraid to say no. If you know you hate doing school visits, for example, it’s okay not to do them. Use that time to write, instead. You’ll never be able to do everything, so you want to make sure that whatever marketing you choose is enjoyable and worthwhile. Again, keep a list of what you like and what works, so you can focus on those types of opportunities.

What are your marketing tips for debut or non-debut novels? Do you have any fun out-of-the-box ideas you’d recommend?

Born in Poland and raised in the United States, Anna Staniszewski grew up loving stories in both Polish and English. Currently, she lives outside Boston with her husband and their crazy dog. When she’s not writing, Anna spends her time reading, daydreaming, and challenging unicorns to games of hopscotch. She is the author of the My Very UnFairy Tale Life series and the Dirt Diary series. Her newest book, The Prank List, released on July 1st from Sourcebooks. You can visit Anna at www.annastan.com.




Thursday, June 26, 2014

Revising Gets the Mistakes Out, Right?

My daughter was reading a novel by a popular mystery writer. Quoting to me from a certain page, she said, "The main character says, 'I left the keys in the ignition.'" She paged ahead a bit. By now, the MC was tangling with the villain, had ended up flat on the ground, and was casting about for any sort of tool. My daughter went on, "But here, she says, 'I felt a lump in my pocket and realized it was the car keys.'" My daughter put the book down. "I hate stuff like that!"

I do, too. At best, blatant inconsistencies take you out of the story. At worst, they kill the story and you shut the book for good. No matter how exciting the action or heightened the emotions in a scene, that all goes poof if you the reader are yelling, "You do not have the car keys in your pocket! You left them in the ignition!"

The thing is -- and I told my daughter this -- I get why these mistakes happen. They happen because of revision.

Revision is supposed to fix what's wrong, what's weak, what's not there yet. And, overwhelmingly, it does. I love revision, much more than I love writing the first draft. But the most difficult aspect of revision isn't making yourself change things. The most difficult aspect is performing the microsurgery that's involved in removing all traces of whatever you're taking out, altering all the spots that need to be changed because of something you've added, and then stitching the book back together so seamlessly that the reader never knows you once had story parts lying all over the place.

And why am I thinking of all this now? Because I'm revising, and I got to p. 8, and there's a big, fat inconsistency sitting there. Yes, only EIGHT pages in, and I've already found a "car keys" moment. But why is that mistake there? That inconsistency did not exist in the first, second, or third drafts of the chapter. It's here in the fourth (thereabouts) because I cut something out a few pages earlier, and along with that cut passage went whoops the piece of information that we need in order to not go "Huh?" on p. 8.

Part of the nature of revising anything is that, besides tackling old errors, we can introduce new ones, and we have to get rid of those, too. Now I'm wondering if I should go show this chapter to my daughter. :)  

Thursday, June 19, 2014

Seeing Red, by Kathryn Erskine

Generations of Porters have been fixing cars in Stony Gap, Virginia, "ever since cars were born," as Red Porter's dad told him. His family's street is even called Porter's Shop Road. Red is twelve, but he's been changing oil on his own since he was nine, and Porter's Shop is everything Red loves: oil, gas, paint, brake pads, hoses, filters, Lava soap, old rags, "and a sink with a faucet you could turn on with just your elbow." Barely three pages into the book, I was completely invested in Red's being able to stay in that shop, on this land. Doing so will turn out to be almost impossible, of course, as Red's dad died of a heart attack just weeks earlier, there's no one to run the shop -- and at least part of the land might not even belong to the Porters.

Set in 1972, this rich, layered novel portrays a world in which civil rights and women's rights have barely awakened, and the Vietnam War fills the nightly news. The characters, major and minor, present and face difficult situations like child abuse, racial discrimination, and developmental disabilities. The pastor is a hypocrite. Red's early-childhood friendship with a black boy crumbles because of the pressures they face. Red is temporarily ensnared in a youth version of the KKK. His teacher, who is far from a hippie yet is teaching his class to "think," gets fired for not doing things the way they've always been done. Red, his younger brother, and his mom seem separated and scattered because they grieve in different ways. Worst of all, Red uncovers evidence that his great-great-great grandfather Porter, whose exact name he bears, shot a black man -- ancestor of an elderly woman he deeply admires -- in the back and stole his land. Red has always been proud of the Porter name. Now, he is not so sure.

There's enough plot here to keep the pages turning, and definitely enough impact and literary quality to make this an award contender, I think. This is a novel about small, gradual changes, and small, right choices, adding up to significant progress. While it may not be for the younger or sensitive reader (besides the other difficult subjects, the real-life lynching of Emmett Till is described in some detail), I otherwise highly recommend this.


Thursday, June 5, 2014

Filling the Well

Really, I should phrase that "letting the well fill." Part of the process is the letting, not the controlling, or worse, the forcing.

I've decided that letting the well fill isn't all about getting a new book idea. Because I have one of those. Sometimes it's about just shifting gears. Taking a vacation of the mind or spirit. Sometimes it's about being something besides a writer. Laying it all down -- which is quite distinct from kicking it to the curb.

Sometimes letting the well fill involves reading. Who am I kidding: centers on reading. But I'm going to be selective and persnickety about that rather than going on a binge or a feast. If I were a runner, I'd run, but since this is me, I'll walk. And contemplate, and...and nothing, because this is letting the well fill. And it's trying on for size the idea of needing to be nothing except God's daughter.

Tuesday, May 27, 2014

WRiTE CLUB, 2014

I know -- I usually post on Thursdays, and it's only Tuesday. But this is a time-sensitive post by guest-blogger DL Hammons, who is going to tell you all about WRiTE CLUB -- an annual writing contest whose final round is judged by published writers and industry pros! Submissions are open until this coming Saturday, May 31. So, take it away, DL!

WRiTE CLUB, 2014

First off, I'd like to thank Marcia for the opportunity to talk to you today about something near and dear to my heart...WRiTE CLUB. My modest writing contest has proven so popular that the DFW Writers Conference is now considering incorporating it into their agenda for 2015. 

What is WRiTE CLUB? It's a writing competition whose inspiration was derived from the movie Fight Club. There are numerous versions of this concept around the internet, but nothing quite like the way we do it. Its essence embodies simple, good-natured competition, with lots and lots of fun sprinkled on top.

Over the course of eight weeks, I hold twice-weekly bouts in which the winners advance to the playoffs, which will ultimately lead to a single champion. Bouts between whom, or what, you ask? Anonymous 500-word writing samples, submitted under a pen name by anyone who wishes to take part. The writing can be any genre, any style (even poetry), with the word count being the only restriction. It's a way to get your writing in front of a lot of readers without having to suffer the agony of exposure.

And the winners (except for the winner of the final round) are determined by WRiTE CLUB readers!

To find out how to become part of the fun, just head on over to DLHammons.com and click on the WRiTE CLUB tab. Submissions are open now through May 31. After that date, a panel of a dozen judges will read all of the entries and pre-select 32 of the best writing samples to climb into the ring. Those 32 participants will then be randomly matched to compete over the next eight weeks, each of them hoping to make it into the playoff rounds and move toward the ultimate goal -- WRiTE CLUB champion. No one (other than my wife) -- not even the judges who pre-select the 32 contestants -- will see anyone's true identity. Unless you win, of course. 

Again this year, the most exciting part is that the winner of the final round will be chosen by a panel of publishing industry professionals! Judges include New York Times bestselling and multiple Bram Stoker Award-winning horror and thriller author Jonathan Maberry; agents Katie Grimm of Don Congdon Associates, Margaret Bail of the Andrea Hurst Agency, Sarah Negovetich of the Corvisiero Literary Agency, and Brittany Booker of the Booker Albert Literary agency; Candace Havens, Editorial Director of Entangled Publishing's Covet line; authors Les Edgerton and Lydia Kang;  and previous WRiTE CLUB winners Tiana Smith (2011), Mark Hough (2012), and Tex Thompson (2013).

Are you willing to WRiTE for what you want? Then crack those knuckles and get ready to flex that imagination. And whatever you do, tell your friends!

WRiTE CLUB -- the contest where the audience gets clobbered!
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Thanks for the details, DL! Remember to check out his website for the full scoop, and, if you're an unagented writer currently polishing up a piece of writing, consider entering!