Random.org says the winner of the autographed, personalized copy of Seaglass Summer by Anjali Banerjee is: Nora MacFarlane!
You have 30 days to claim your prize, Nora. No later than May 18, email me at marcia at marciahoehne dot com, giving me your postal address, and I'll acknowledge receipt and get that right out to you!
Monday, April 18, 2011
Thursday, April 14, 2011
Premise vs. Theme
I've been thinking about premise and theme lately, and found that I need to think deeper. One of the most rewarding things about writing is that it's never boring and you never learn it all, even after you've learned it. I mean, I know what "premise" is, right? It's a story's central idea, a setup or "what if" that snags the reader and makes her say, "Yeah, I want to read this and see how it plays out." The premise of, say, Romeo and Juliet might go like this: "What if a son and daughter from two enemy families fall in love?
But is that really a premise? By some definitions, maybe not. Another definition, more steeped in the study of logic, goes like this: Premise is a statement assumed to be true and used to draw a conclusion. It's a presupposition, assumption, or postulate. More specifically applied to story, it's a statement of what happens to your characters as a result of the plot, which your story sets out to illustrate.
Which is an interesting point of view. Math major though I may have been, my definition of story premise has always been more in the first camp, the what-if question. So what is premise? A question, or a statement? Does a premise include the ending, or doesn't it? By the statement definition, the premise of Romeo and Juliet might be "Stubborn feuds or prejudices lead to tragedy." The statement contains "what happens to your characters"--tragedy--and the what-if question does not. If it's correct to say that the statement is the story's premise, then we can't know a story's premise when we first pick it up to read it. We can only know the premise when we know the end. I'm going to have to chew on that a little more before I buy it. If I buy it. Perhaps both kinds of premise are useful: the question as the public one, the hook; and the statement as a private one, a guide for the writer.
Both viewpoints agree that a story has one premise. But it can have multiple themes. Speaking of which: doesn't that second view of premise, in the preceding paragraph, sound an awful lot like theme? "Stubborn feuds or prejudices lead to tragedy"? If that's not theme, then what's a theme? We often hear statements such as "This book explores themes of love and loss, friendship and courage, sacrifice and honor..." and I say No. These aren't themes. These are subjects. Themes say something about a novel's subjects, and we don't have control of our work if we don't know what that "about" is. Let's go back to Romeo and Juliet. Does it explore themes of passion, labeling or stereotyping, friends and enemies, and communication? I think it explores those subjects, and makes theme statements about them.
Subject: Passion
Theme: Quick passions lead to hasty decisions.
Subject: Friends/enemies
Theme: Our enemies may not be our enemies.
Subject: Communication
Theme: Miscommunication leads to disaster.
What do you think? What's a subject? Theme? Premise? Does your brain hurt as much as mine does? :)
But is that really a premise? By some definitions, maybe not. Another definition, more steeped in the study of logic, goes like this: Premise is a statement assumed to be true and used to draw a conclusion. It's a presupposition, assumption, or postulate. More specifically applied to story, it's a statement of what happens to your characters as a result of the plot, which your story sets out to illustrate.
Which is an interesting point of view. Math major though I may have been, my definition of story premise has always been more in the first camp, the what-if question. So what is premise? A question, or a statement? Does a premise include the ending, or doesn't it? By the statement definition, the premise of Romeo and Juliet might be "Stubborn feuds or prejudices lead to tragedy." The statement contains "what happens to your characters"--tragedy--and the what-if question does not. If it's correct to say that the statement is the story's premise, then we can't know a story's premise when we first pick it up to read it. We can only know the premise when we know the end. I'm going to have to chew on that a little more before I buy it. If I buy it. Perhaps both kinds of premise are useful: the question as the public one, the hook; and the statement as a private one, a guide for the writer.
Both viewpoints agree that a story has one premise. But it can have multiple themes. Speaking of which: doesn't that second view of premise, in the preceding paragraph, sound an awful lot like theme? "Stubborn feuds or prejudices lead to tragedy"? If that's not theme, then what's a theme? We often hear statements such as "This book explores themes of love and loss, friendship and courage, sacrifice and honor..." and I say No. These aren't themes. These are subjects. Themes say something about a novel's subjects, and we don't have control of our work if we don't know what that "about" is. Let's go back to Romeo and Juliet. Does it explore themes of passion, labeling or stereotyping, friends and enemies, and communication? I think it explores those subjects, and makes theme statements about them.
Subject: Passion
Theme: Quick passions lead to hasty decisions.
Subject: Friends/enemies
Theme: Our enemies may not be our enemies.
Subject: Communication
Theme: Miscommunication leads to disaster.
What do you think? What's a subject? Theme? Premise? Does your brain hurt as much as mine does? :)
Thursday, April 7, 2011
April Book Giveaway
Eleven-year-old Poppy, the protagonist of Seaglass Summer by Anjali Banerjee, wants to be a veterinarian like her Uncle Sanjay. Too bad her mother is allergic to anything with fur and Poppy has never had a pet. So this summer, instead of accompanying her parents to visit relatives in India, Poppy travels from LA to an island off the coast of Washington State, armed with her Deluxe Veterinarian First-Aid Kit, to be Uncle Sanjay's helper at his Furry Friends Animal Clinic.
The episodic chapters serve this type of story well. The book is sweet without sugar-coating the sometimes gross and sad realities of pet health care, and without skirting issues such as disagreement by Uncle Sanjay's father with Sanjay's career choice. Multicultural without making multiculturalism the issue, enriched with lovely setting details, the novel will greatly interest animal lovers. Poppy is a conscientious, appealing girl who learns that growing up isn't instantaneous, that dreams don't always match reality, but that she can do more than she thought, too.
To be entered in the drawing:
- Comment on this post anytime from now through Sunday, April 17.
- For an additional entry, become a follower of this blog and mention that in the comment. Ditto if you already are a follower.
- For additional entries, post links to this contest and give the URLs.
So, come one, come all--and meanwhile have a great day in the world of books.
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